Face Shifts in Alain Resnais’s “Providence”

This is my academic paper for “Question d’iconographie” at Lettres, Arts et Cinema, Paris Diderot (7) submitted in April 2019, with the prof. appreciation 🙂 “The dream is my only real level of my existence” Alain Resnais’s “Providence”, 1977, explores the theme of artistic creation in its profound facets, as the author slides from being...

  🔊 Hayward Gallery at Southbank Centre (HENI Project Space) welcomed a solo exhibition by #KateCooper – Symptom Machine 👀 Its video and sound design and overall experience really touched me so I decided to share it with you. No words, sound on to appreciate the impecable sound design Androgynised female CGI representations are brutalised in their attempts to embody...

Current exhibitions at Kanal Centre Pompidou got me thinking: how far should we go with exhibiting human pain, sufferance? What’s an appropriate context to do that and what not? Can the contemporary art establishment actually DO something to support our collective issues, such as homelessness? I would hope so! Thank you for watching!

A couple of years ago, in 2014 to be precise, a medieval painting was found in an attic and Toulouse, and after specialists in medieval paintings (most notably Éric Turpin) have analysed it in depth they decided: it’s a Caravaggio, one of the few (around 60 in the entire world), painted around 1607. It will be...

„Poezia fără limbă, revoluția fără persoane, iubirea fără sfârșit” (Gherasim Luca, înscris pe „Cuba Colectiva” Havana, 1967) Gherasim Luca este inventatorul unui limbaj poetic și, în același timp program existențial, inseparabil de opera sa. Adesea s-a vorbit de ontopoezie, pentru că pentru Luca poezia, arta și viața au fost una, au format un tot inseparabil. A...

Les Douches La Galerie is currently hosting a  Vivian Maier Exhibition “The Color Works”, which also includes many black & white photographs. Of course, her work is great but the exhibition concept is quite simplistic, the work is not at all contextualised and it’s presented a bit cramped. It all has an air of a desire...

I often accumulate vast amounts of content waiting for me to process it, to bring it out in an orderly manner, ideally accompanied by a profound, well-researched text. Well, this time I figured the exhibition of Basquiat does not deserve such an absurd treatment. I feel I’d be doing you, however is reading this, as...

I met Eva & Marta Yarza at the D&AD Awards in London, 2018, where they also won a Wooden Pencil with their cool Smirnoff campaign. I interviewed them and really enjoyed their optimistic and super hard working, applied mindset. Keep up the awesome GAL POWEH!!! I prepared the following material for the IAA Global Conference...

In image theory studies we often talk about “what do images want?”, about a secret life of an image, about how a detail can overturn an entire painting or how the punctum grabs our gaze and arrests it, binds it to a certain “je ne sais quoi” of the image. Such phenomenological and image theories fascinate...

Contextualizare? În tranziție, nomazi digitali, fără domiciliu fix, globe trotteri, pasageri. În sens larg, metafizic, toți suntem trecători prin viață, prin locuri, prin situații și tot în trecere mă aflu și eu la Paris, cu o bursă Erasmus la Paris Diderot. Întorcându-ne către cotidian, acest lucru îmi oferă un domiciliu fix, în sens administrativ și...